APRIL 2011

The first good news entry is that happily, the local council have now placed two benches on the Maelog Lake stretch of road. This is after me embarrassingly sending them this picture of me! When you reach well passed your retirement age, you realise how necessary it is to have rest points like this if the older generation are to follow the advice, of keeping active by doing such things as walking.


Alan and I have enjoyed two visits this month with the U3A. First, we were blessed with a beautiful sunny afternoon at Caernarfon Castle. The historian Neil Johnston met us and told us some of its history. Initially, it was the site of the Welsh Prince Llywelyn the Great’s home during his lifetime (1173-1240). In 1282, Prince Llywelyn ap Gruffudd, his grandson, was killed by English soldiers in an ambush at Cilmeri, Powys. In 1283, King Edward 1 came to Conwy where he built the castle and then came on to Caernarfon. Here, he incorporated material from the nearby Roman fort of Segontium with other materials that were brought by boat to build himself a new castle.

Edward had travelled with the Crusaders as far Constantinople to fight. It is thought now that it was he that designed the castleby on his return, based on the ideas he had gathered whilst on his travels. He then installed James of St.George in charge of the building of it. In 1284, his son, Edward 2 was born here and was presented to the local people from the Eagle Tower as a native prince who couldn’t speak a word of English! In 1969, Prince Charles was invested here as the present Prince of Wales.

Our second U3A visit was to Theatre Clwyd. Each time we visit this theatre, we always enjoy a highly professional performance. This one was no exception, called “Journey’s End”. It was a deeply moving play depicting the endurance suffered by the soldiers whilst in the trenches during the First World War.


On one of the lovely days over Easter, Alan and I took Awen, my six year old granddaughter, for a walk along the Malltraeth Cob. We all took our binoculars with us to do a bit of bird spotting. This is where one of our eminent bird and wildlife artists, Charles Tunnicliffe, lived. ( 1901 – 1979 ). You can see his home, “Shorelands” on the opposite side of the River Cefni estuary in the picture.

He had an upstairs studio giving him a panoramic view through the window of the ebb and flow of the tidal waters. He used to find dead birds and take them to his studio to make intricate drawings of the wings, beaks feet etc. His illustrations have been used in at least 250 books, such as “Tarka the Otter” and Ladybird books eg. “What to look for in Spring”etc.. His work can be seen at Oriel Ynys Môn and the lecture room has been named in honour of him.



When we go on this walk, we always like to end up with tea and homemade cake in Jane and Norman’s
Café by the cob entrance – well signed on the roadside as you can see. They are open every day except Sunday, 11am – 5pm. They also cater for children’s parties, including making the cake and providing the party games. Learn more from their website, www.janenormanphillips.co.uk If you view the pictures of their cakes, you’ll soon be tempted!



Alan and I enjoyed an excellent day out to Llandudno on another day. He must be one of the few husbands not to be dragged into M&S or any other shop whilst there! This was because we intend taking our U3A there to visit to the Museum and the Senedd Buldings in Llandudno Junction at the end of May/ We therefore needed to do a pre-run.


The Museum is located on Gloddaeth Street, just off the top of Mostyn St.( the street with car parking down its centre). We were made extremely welcome by Mr.Richard Hughes, the curator, who explained about all the ground floor exhibitions personally to us. As he was also in charge of the desk, we went to view the first floor on our own. He has produced detailed text sheets on all the exhibitions. There are of course also information boards by each exhibition. One case contained pre-historic exhibits from Kendrick’s Cave, on the Great Orme. They included decorated beads made from deer and wild cattle teeth from the end of the Ice Age period. There were also some of the Bronze Age hoard of artefacts found in the Great Orme mines. In one cabinet, was quite a big piece of a 5,000 year old tree trunk found on Llandudno’s North Shore. These can still be found there during very low tides.



Upstairs, there is a fascinating display based on the secret printing press that the Catholics had in a cave on the Little Orme during the time of their persecution by Elizabeth 1. Here, they produced the first Welsh book printed in Wales – “ Y Drych Cristnogol” “ The Christian Mirror”. Its leader, Father William Davies, sadly was caught and taken to Beaumaris Goal to be hung, drawn and quartered!

The hologram of the Llyn Cerrig Bach plaque had just been taken down and is now on its way to Oriel Ynys Môn in readiness for its display there as from May 28th.

I’m afraid I could go on and on about all the interesting things we saw, but this would result in a very lengthy blog entry! I will just give the opening times. There is a small entrance charge, being it is not maintained by the council.

Easter – 31st October: Tues– Sat. and Bank Hols: 10.30 – 1.00 & 2.00 – 5.00 Sunday 2.15 – 5.00pm.
1st November – Easter: Tuesday – Saturday 1.30 – 4.30

After lunch in our favourite home-cook restaurant around the corner in Mostyn Street, we made our way Llandudno Junction to the Senedd building. Here, we met up as arranged with Shaun Holden, the Communications Officer and made most welcome once more. We finalised the necessary arrangements for our U3A group’s visit and then had a coffee in their very nice reception area called Y Bont (trans. The Bridge).

APRIL 14th

When I referred in my blog yesterday, to my father sending iron artefacts down to Cardiff museum, I forgot to upload the images I’d taken of the thank you letters he received from Sir Cyril Fox.
I wanted you to notice how much the postage was for iron swords etc. in a wooden box! Goodness knows how much they would charge these days.





Letter images haven't appeared very well in the blog preview - it states - one shilling for postage! You can view them better on my website www.llyncerrigbach.co.uk

APRIL 2011

At the beginning of April, Alan and I visited the National Museum in Cardiff once again as I needed extra pictures of some of the artefacts in storage for my presentation. Again we were made so welcome by the staff in the Archaeology department. Like many times before, we were met by Adam Gwilt, who took us through a maze of corridors to see how the artefacts are stored in special acid free foam. There again we met up with a familiar friend, Evan Chapman and later Tony Daly again in his studio. The artefacts are stored at an even temperature and in special acid free foam. The nitrogen in this foam deters any further deterioration. I was able to handle swords I’d last handled as a child of about 8 years old when my father brought them home before posting them to Cardiff in a wooden box.





Adam told me that it has been agreed to a notable amount of Llyn Cerrig Bach artefacts coming up to Oriel Ynys Môn in 2012. As I have recently instigated the publication of a book on Llyn Cerrig Bach, which I shall be contributing to, to be launched in May 2012, it was great that Adam confirmed that both things would come together at Oriel Môn at the same time. The idea of a book on Llyn Cerrig Bach came to me after seeing the format of the bi-lingual publication that Ian Jones of Oriel Môn, had produced on South Stack. This has plenty of pictures in it with not too much text. Ideal, I feel, for the general inquisitive reader who wants to learn about the history of our island. We already have a super academic tome written by Dr.Philip McDonald on the analysis of the various metal content of the artefacts. Also Frances Lynch has given detailed professional descriptions of the artefacts in her highly acclaimed book “Prehistoric Anglesey” I’m very pleased to say that Frances has agreed from the onset of my idea to put her expertise input into this publication.

At the beginning of April, Alan and I also went to listen to a talk on Patagonia at Oriel Ynys Môn. This was given by Clare Dudman ( nee Jenkins ) who is originally from Anglesey. She has written a part fictional novel based on an imaginary tale of a couple typical to the ones who emigrated to Patagonia on the Mimosa in 1865. The novel title is – A Place of Meadows and Tall Trees. There were a number of people like myself in the audience, who had been to Patagonia, some of them having lived there for a year or more. We all had fascinating chats together at the end of the evening, comparing our different experiences. I had stayed with families in two villages whilst there in 1995.Since this visit, I have found that I have developed a great empathy with this Welsh colony which was established in Argentina nearly 150 years ago. When I first arrived there, I was horrified by the bleakness of the landscape and the strong wind that blew dust everywhere. However, of all the countries I’ve visited, my stay in Patagonia was truly an amazing experience. I’d love to go back there, but sadly it is much too far for me to travel to now. The story of the hardships that the first settlers endured is heartbreaking to read about.
I have been able to return the hospitality I received in Patagonia by having two ladies staying with me here when their choir was on tour around Wales. Sonia could only speak Spanish and Menna spoke Welsh and Spanish. Neither, you will note, could speak English. Menna had to translate from one to the other, so that we could carry on a conversation! It is incredible how the Welsh language has survived this long and is now even on the increase amongst the young people there. This is a picture of me at the Welsh nursery school there in 1995.



During this month, a number of us from Anglesey / Ynys Môn U3A visited the National Library in Aberystwyth. I decided that I would apply for a Reader’s Card on-line before I went so that I could look at some material relating to the Welsh emigration to Patagonia. This is because I have to give a presentation to the Bangor U3A in November, so I need to brush up on my knowledge beforehand. Before going to the library, ias well as registering for a Reader’s Card it is also very important to search for the title of the documents you would like to see and record their documentation number. You must then hand over these details at the desk when you arrive, as it still takes over an hour to retrieve them from the various vaults. This is an example of one of the reference details I took with me.
“Dau o ddyddiaduron Llwyd ap Iwan a gadwodd ar ei deithiau aml dros y paith ac yn yr Andes ac yn disgrifio bywyd yn y Wladfa; 1888-9. NLW MS 7258-9C. C.”
These were two diaries of Llwyd ap Iwan relating his travels in the Andes in 1888-89. He was murdered by hostile Indians soon after his last entry. It should be noted that there were also peaceful Indian tribes who lived happily alongside the Welsh settlers and they each respected one another. They loved the bread baked by the Welsh and would trade a wild horse in exchange for a loaf! It was quite emotional to be able to hold and read these two exercise book diaries, knowing what had happened to Llwyd ap Iwan had actually handled them.

Last week, I again had the pleasure of visiting Amlwch Primary School to relate the story about the Llyn Cerrig Bach find. All the children from the junior classes had gathered in the hall and showed a keen interest, especially in the gang chain replica and the plaque copy that Alan has made.



Finally, this Thursday night, I’m looking forward to watching Neil Oliver’s programme on “The History of Celtic Britain.” The programme last week showed him standing by the Llyn Cerrig Bach artefacts cabinet at the National Museum in Cardiff talking about the Llyn Fawr cauldron. This week he will be showing and discussing the gang chain from Llyn Cerrig Bach.

MARCH 2011

The weather has been fantastic allowing me to go on various walks in my area. My favourite is Barclodiad y Gawres, which is only down the road from my home. I like to take in the 360ᴼ panoramic view around me when on the top – scanning the Snowdonia range all the way down to Bardsey Island and then in the opposite direction, along the coast towards Holyhead Mountain. This picture of Awen, my granddaughter however, was taken on a windy day last October.



Barclodiad y Gawres is the remains of a decorated passage grave from about 2,500 BC. Its Welsh name means “the giantess’ apron” – the legend describes a giantess flying over from Ireland and dropping her apronful of stones here! I rather think it must have been a witch giantess, as the remains of what one associates with witches cauldron were excavated on the site, such as the remains of a toad, eel, shrew, mouse, grass snake and a hare. You can find all about the site on the web. Like in the picture I took, you can peer into the inner chamber through the locked bar gate. However, If you wish to go inside the inner chamber, you will have to do a prior booking by phoning the Wayside Stores ( 01407 810153 ). They hold the key and will meet you there during any of these allocated opening times:
APRIL – OCTOBER, SAT & SUN 12pm – 4pm + BANK HOLIDAYS.


A letter appeared in the local Anglesey Mail this month, the person demanding that the National Museum should return all the Llyn Cerrig Bach artefacts back to Anglesey. There are two sides to every story, as they say, and I felt I should make my view known in a reply letter, for which I received only positive feedback. This is what I wrote:

“As a retired teacher and the daughter of William Roberts, whose decision to dredge Llyn Cerrig Bach resulted in the discovery the artefacts, I wish comment on two articles in last week’s Mail.

Over the years, I have been in discussion with various curators at the National Museum in Cardiff, regarding returning some of the Llyn Cerrig Bach artefacts. It has become clear to me, that they will never be in a position to be able to return the main original items. Along the years, these have always been on display in permanent exhibitions in our National Museum, as they are at present. This is because they have by now become world famous in the field of archaeology, with visitors, not only from the UK, but all over the globe coming to view them. We have been able to have a number of artefacts back on loan over the years, but like in the National Museum, they had to be viewed in humidity controlled glass cabinets. I myself have put on permanent display in Oriel Ynys Môn, three Llyn Cerrig Bach artefacts that were donated to my father and these have to be displayed as such, for their preservation.

I have spent many years presenting their story to schools and adult groups. About three years ago, I realised that the best asset for explaining the Llyn Cerrig Bach heritage on Anglesey, would be to have excellent replicas made of the main items from the hoard. This is because replicas can be handled and examined, rather than being observed as originals in a glass cabinet. The National Museum in Cardiff gave Oriel Ynys Môn, shortly after its opening, a replica of the famous gang chain, which it still has. I have taken this amazing chain to all my presentations and this has always been the highlight of the event. (pictures prove this on my blog). I could not have done this with originals. I have managed to raise over £4,000 towards the production of more quality replicas. This money has been handed over to Oriel Ynys Môn. Pat West, the Principal, assures me that their production will be starting soon this year. I agree entirely with her article in your paper, that the island’s heritage needs to be presented in a realistic way. I shall be thrilled when these valuable replicas are made.

There is a hologram of the crescentic plaque due to come on tour to Oriel Ynys Môn from Llandudno museum in May. It seems already viewers are having difficulty in recognising the original from this 3D hologram because of the excellent modern production techniques available today. Sean Harris has made fascinating animated films with computer graphics, with various Anglesey school children contributing to the production. This depicts the story of Llyn Cerrig Bach and also other famous sites on Anglesey.

I visited the Tutunkhamun exhibition in Manchester this month. Here again the replicas were as good as the originals and much more accessible. Tourists from everywhere flocked to see them even though they were replicas.

As you can see, a lot of us have been working really hard for many years, transferring the story about the Llyn Cerrig Bach artefacts to adults and children alike.”

Those of you, who have followed my blog, will know that I have been campaigning for years by now to have such replicas produced.



Last week, I had a special treat of giving my talk to a group of people who have succeeded in becoming fluent Welsh speakers. Brenda Wyn Jones, their tutor deserves such praise, as she is so dedicated and successful in her work. Andrew, in the front row, is holding a copy to the exact dimensions of the crescentic plaque, which Alan, my husband, has made until we get the real replica produced in bronze.
After the talk, we were invited by Tecwyn, Brenda’s husband to view his studio. Here he has made beautiful sculptures based on the Mabinogion, the Welsh Medieval tales. The biggest pleasure I had though, was to be shown an etching depiction he had produced of Llyn Cerrig Bach, which you see here. He insists it still needs improving on and is going to give me a signed copy of the final etching.

FEBRUARY 2011

February has passed in a whirl of activities so my apologies again for missing a month’s entries!
I was invited by a group of ladies in Valley to give my presentation on Llyn Cerrig Bach. They were very interested in the subject, as the lake is right on their doorstep. They particularly enjoyed handling the replica of the Gang Chain, as you can see from the picture.
Having had to hand over to the Oriel, over a year ago, the funding I’d collected for producing more replicas, I am still anxiously waiting for the good news that perhaps some of them have finally been made. It will be a great thrill for me when this happens, as I know from visiting various schools, how much the children like to examine replicas, rather than seeing an untouchable original.

I became very concerned when I saw that the roadside wall in front of the Pencarnisiog commemorative standing stone had collapsed. This is known locally in Welsh as Maen Hir. I contacted our Cadw warden for this area and she came over immediately. However, since its on private land she can only express our concern to the landowner. Hopefully, he will get the wall rebuilt as soon as possible. This is a very important stone as there is a Roman style inscription on it to Cunugusus – CYNGVSIHICIACIT. This is from where the name of the village Pencarnisiog derives.


I had a very interesting visit from Mark, a mature student at Bangor University. He is on his final year and doing research into comparing votive offerings into such watery places as Llyn Cerrig Bach. He was very interested in some seismic maps I had been given by Dr. Phillip McDonald when he was a research student at Cardiff in 1995. I e-mailed Philip, who is now a lecturer at Belfast University, and he kindly gave me permission to forward copies to Mark. I am looking forward now to reading his final paper.
Like many others, Mark expressed his appreciation of being told so many personal background facts that I’d researched and been told by my father about Llyn Cerrig Bach.
I have decided, therefore, that I should take the step forward into filming a DVD of my lecture presentation. When I become too decrepit to voice the lecture, or even when I’ve popped my clogs, at least this information won’t be lost!


Rhys Mwyn, who writes an article each Wednesday in the Welsh Herald section of the Daily Post, asked if he could visit me. He wanted to write a column about what I knew about Llyn Cerrig Bach. We visited the lake and had a long chat. I was very interested when he showed me excellent replicas of Bronze Age tools that Dave Chapman had made in his foundry in the Conwy valley.


A fortnight ago, my husband and I visited the Tutankhamun Replicas exhibition at Manchester. Because of so many visitors in the museum when we visited Cairo, we had failed to get in to see the originals. However, the replicas were as good as the real things and so easy to observe at close quarters. I’m sure we gained much more experience from this visit than we would have had in Cairo looking over other peoples’ shoulders and being made to move along all the time. Here, we were able to browse and take as many pictures as we liked. I was fascinated with the tomb chariot, noticing especially that there was a plaque similar to the Llyn Cerrig Bach one, attached to its shaft, as you can see in the picture I took. I couldn’t help noticing also other similarities with the chariot’s form and its wheel hub. All these things in spite of it being made in Egypt over a thousand years before the chariot parts found in Llyn Cerrig Bach.

2011 - JANUARY 6th

Blwyddyn Newydd dda i chi gyd – Good New Year to you all.
What snow we experienced here on Anglesey,. Our back garden was like a scene from fairyland and so beautifully quiet.



One present I had for Christmas was the wonderful detailed illustration of the votive scene as depicted by Tony Daly, which my husband had framed for me. This brought happy memories back of our visit to his studio at the National Museum in Cardiff.

As it is copyrighted, I'm afraid you will have to view it at my Powerpoint presentations only!

Dominic, a family member, agreed to write an account for me about his experiences at the Bryn Gwyn site, Brynsiencyn in December. (Dom is on the extreme left of the picture).



“George Smith from the Gwynedd Archaeological Trust and a team of volunteers has returned to carry out further excavations at the Brynsiencyn site Bryn Gwyn. The Bryn Gwyn site is famous for having two standing stones standing within a field boundary wall which may have been part of a henge monument erected in the late Neolithic period around four thousand years ago.
The first excavation carried out in 2008 was to establish if indeed the standing stones were part of a ringed henge monument and to try and locate any potential existing stone holes that maybe lying beneath the surface. The site turned out to be very interesting as two remaining stumps of what were clearly at one time standing stones, one being on a circular alignment, were clearly found, with evidence of deliberate removal.
In December 2010 the object of the dig was to try and find the remaining stone sockets or robbed out pits, to try to establish how many stones had originally stood at this site. There are old accounts from visiting antiquarians to Anglesey, which saw at least four stones standing and estimated that there may have been at least eight or nine stones standing in its original state.
One of the stone stumps that had been partially excavated in 2008, was opened up to reveal more of the stone and try to establish how far down it went. Also to try and find any datable evidence for its construction. What was interesting was, this stone was on a completely different alignment to the other remaining stones. It was made of limestone and seemed to be on an alignment with the mid winter solstice sunset and also with the entrance of the Castell Bryn Gwyn site in the adjacent field. There were some pieces of worked flint found at the site and evidence of burning and charcoal around some of the potential stone locations.
The last interesting point is that the two remaining standing stones you can see today are of completely different shapes. One stone being of a lozenge or diamond shape and the other has a pointed thin form. Even more interesting is that what we seem to have established is that each stone that originally stood seemed to alternate between lozenge and point forms. This I clearly saw in another location which I visited recently, around a very historical and well documented site at West Kennet Avenue leading to the Henge monument at Avebury in Wiltshire. There, the avenue of standing stones are lozenge and pointed and have been deliberately erected to be opposite to each other as the avenue climbs to the main henge monument. It has also been suggested that this maybe a representation of male and female. Further excavation will be carried out at the site in the near future.”

I enjoy reading Rhys Mwyn’s archaeological articles in the Welsh Herald enclosed in the Daily Post each week. This week he mentions the Megalithic Anglesey DVD which we both took part in. This has been unavailable for some time but according to Rhys, can now be had through www.telegtv.com as can also the one on Parys Mountain.





It was my eldest granddaughter Shula’s 21st. birthday two days ago. Here she is with me and her cousins Awen Hâf and Elin Sian.



Sorry, I seemed to have managed somehow to set it all on the left and have no one here to correct it for me! I dare not try it myself incase I delete it all1

NOVEMBER 2010

What a big lapse of time!
Most of August, I spent taking my six year old granddaughter, Awen, on various visits to interesting Anglesey sites. This is one I took of her by Tŷ Newydd Cromlech, Llanfaelog.



To my disappointment, things have really been on a back burner as far as producing the replicas. This is due to the fact that The Friends of The Oriel decided to fold up. All the funding that I’d collected under their title was then passed on to the Oriel itself.

Pat West, the Principal, has put it in an account called Llyn Cerrig Bach and thankfully has ring fenced it. However, Pat is a busy person and finds it very hard to slot time to get the replicas made. She has promised that come the new year she will get their production in motion.
Our diving friends from the States came over in September. They phoned me to say that their time was so limited, that they wouldn’t be diving in Llyn Cerrig Bach this year. They had been called to an important meeting in London with the National Geographical Society.



Alan and I paid our usual visit to the National museum whilst in Cardiff. We were given such a warm and enthusiastic welcome by three of the most prominent staff in the archaeology department, namely Adam Gwilt, Curator - Later Prehistory, Mark Lodwick, Portable Antiquities Finds Co-ordinator and Tony Daly, Archaeology Department Illustrator. We spent a good hour together discussing various queries on aspects I needed guidance on regarding my present involvement with Llyn Cerrig Bach.



Tony Daly then invited Alan and myself to his graphics studio and showed us various techniques he used to produce his illustrations. Alan, being an artist in his leisure time, was enthralled with it all. Before I left, he presented me with a complete set of the drawings he made of Llyn Cerrig Bach artefacts ( A2 sheets ). He also gave me a copy on my memory stick of his depiction of a votive ceremony taking place on the banks of Llyn Cerrig Bach,for me to include in my future Powerpoint presentations. (This has gradually climbed to 105 slides by now. Thankfully, I have a shorter version for schools!)

Another good friend, Ken Brassil, the museum Education Officer then appeared with a group of school children. He is a font of knowledge on the history of Llyn Cerrig Bach and I have been observing him working with various Anglesey schools, as you will note from my previous blog entries. He also appears on the DVD “Megalithic Anglesey” explaining the significance of the find, whilst leaning on a cabinet full of artefacts from the lake. These are on display at the Origins exhibition in the museum.

( Forgive the large text and left aligment. I failed completely to locate any Font or Centre icon this time sorry!)